1985 Xini the negatives remain in a

the negatives remain in a drawer

les badauds sont émerveillés

Alors que les techniques d’impression numérique paraissent de plus en plus indispensables

Etienne Bouchaud

un goût de pierre à fusil»⁠

1985 Xini the negatives remain in a"For the past two years, I have been mapping out my fundamental memories of growing up in Lisbon in the late eighties early nineties. It was an euphoric time in Portugal, everyone was high on hope, and in my family this was lived very intensely, coinciding with our own golden age, until the unexpected loss of my father in 1991. My relationship with photography begins there. It was in the family album that I made sense of the present I had known become