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The Future Without You aire-libre 1934/2005)

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1934/2005)

Les photographies de Carla Cerati prennent alors une tournure plus sociale et politique

Jean-Christophe Bailly écrit à propos de Odds and Ends : "Ce récit repose sur la façon dont les rebuts et ce que l’on rejette ou abandonne se transforment en bloc de sens

encompasses a wide range of styles

Sur 264 pages

The Future Without You aire-libre 1934/2005)For this collaboration, Max Pinckers and Thomas Sauvin rummaged through 50. 000 transparencies rescued from a recycling center in Beijing. This analog archive from the 1990s consists of stock photos that were produced in the US and ended up in China when a company subsidiary was opened to market them in a new territory. The images in this archive cover a wide array of subjects, themes, and photographic styles. They were made with the sole intention of

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