A Naked Chair EGGLESTON she left the order to

she left the order to devote herself to making her own work

Le clair-obscur n’est donc pas seulement une technique picturale du passé

ont été reléguées au second plan ou sont plus que jamais d'actualité

de lieux intermédiaires

les amateur

A Naked Chair EGGLESTON she left the order toDieter Hall portrays man thrown back on himself. Ecce Homo, behold the manwithout his social attributes, often nude, in splendid isolation. Hall seeks the common denominatormetonymically called the Naked Chairof mere existence in the images of others (mostly male) bodies. He regards things, objects, gardens and landscapes with the same searching gaze. His minutely arranged still lifesa glass, a flower, a chair call to mind Bonnard and Matisse. Halls