Autumn Trees, Fields and Brook with Queen Anne's Lace by Ben Foster, Amer., (1852-1920) Chromolithograph Gorbaty's essay "Printmaking with a

Gorbaty's essay "Printmaking with a Spoon" was included by Gabor Peterdi in his book "Printmaking Methods Old and New"

a stray speck of ink left center margin

This print was particularly significant for Kent

18-1/4 x 22-3/8

whom Barrer studied with at the Art Student's League

Autumn Trees, Fields and Brook with Queen Anne's Lace by Ben Foster, Amer., (1852-1920) Chromolithograph Gorbaty's essay "Printmaking with aWatercolor, circa 1900, 6 1 4 x 11 1 4, fading to the blue sky and foreground fields, mat burn to edges from an old acidic mat, signed lower right in pencil, an abandoned watercolor landscape verso. Born in Maine, Ben Foster was a well respected tonalist painter who came to art late, studying by age 30 at the Art Student's League then in Paris in 1876 77. Foster longed for New England though, and settled in Cornwall Hollow, CT, where most of his