Kunié Sugiura Emmanuelle Debur Reality disenfranchised to its vivid

Reality disenfranchised to its vivid alter ego online

Maël Forlini questionne l’archive au regard de la mort et plus particulièrement dans le contexte de la pandémie de VIH ou dans l’univers carcéral

Un catalogue d’objets qui nous plonge dans l’imaginaire de la Provence

menaçant la sécurité alimentaire et entraînant des pertes économiques considérables

fouillant dans l'armoire à pharmacie ou attendant que la baignoire se remplisse

Kunié Sugiura Emmanuelle Debur Reality disenfranchised to its vividWe may assume (as a principle) that photography (photographing) is objective and painting (rendering) is subjective. Usually an artist chooses either approach, but I choose a method that ties the two together, makes them parallel or combines them. Kuni Sugiura From the beginning of her career in the mid 1960s, Kuni Sugiura has carved out a distinctive artistic practice which embraces unconventional photography techniques and multimedia expression.